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Edward Hopper, Girl at Sewing Machine (oil on canvas, c. 1921)
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Girl at Sewing Machine
by Mary Leader
after a painting by Edward Hopper
It must be warm in the room,
walls the color of over-steeped tea,
the sun high,
coating the yellow brick exterior of the apartment building,
angling in one he girl,
stripped down to camisole and petticoat, sewing.
She's a busty girl,
soft, no doubt perspiring,
slippery under her breasts,
moisture trapped on the back of her neck
under all that chestnut hair.
She doesn't notice,
though; you can see
she's intent on her seam.
She doesn't slump over the machine
but bends from the hip,
her body as attuned as her hands.
Her feet, though not shown in the painting,
are bound to be pudgy,
are probably bare, pumping the treadle
ka-chunk ka-chunk ka-chunk
but that's unconscious.
Her point of concentration is the needle,
silver, quick,
its chick chick chick chick chick,
necessity to keep the material
in perfect position,position.
What is she making? The fabric looks heavy and yet illowy,
like whipped cream, or cumulus clouds;
certain girls, while large,
move with grace (when nobody's there)
but in public, conceal, or try to conceal,
their bodies
beneath long clothes.
They favor long hair, feeling it wimples and veils embarrassment.
Yes, I know this girl.
Only in her room, only when unseen,
can she relax at all,
peel off a hot blouse, a brown skirt,
like the one heaped on her bed in the background,
take pleasure in a good hairbrush,
the bottle of scent on the dresser,
the picture of her own choosing on the wall.
Whatever she's making
--let's go ahead and say it's a dress for herself--
she is not, as you might think,
dreaming of a party, a dance, or a wedding.
No, she's deciding to flat-fell that seam
--time-consuming, but worth it--
stronger, better-looking.
I'm sure she knows by now
not to expect much attention from boys.
She's what? twenty? eighteen?
She will, in time, use many words to describe herself,
not all of them bad;
but not once will one of them be "pretty," or "lovely."
Those aren't for a fat girl
though she can take a mass of cloth, and a cast-iron machine,
and make a beautiful shape. |
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